Leonard please call

How the light gets in, Homage to Leonard Cohen 24 X 36

I frequently listen to Leonard Cohen as I paint, and while a friend says his work features music to slit your wrists by, I think he sings of hope, for the most part. Take his song Anthem. Despite the mess we may find ourselves in there is always some hope, a crack in the darkness, a crack in the universe where the light gets in. The painting above is in the current eee group show. It is called "How the light gets in, Homage to Leonard Cohen"

I recently saw Leonard perform and he was breathtakingly impressive. I want to have an art show, an homage to Leonard Cohen. Artists would respond visually to his music and prose. I've written to his management folks in NYC and I managed to get a flower and card to him on stage when he was here in Kingston. So far no reponse. Leonard, I'm waiting, you have my number!

Panic to Peace

Yesterday afternoon I was in a major panic, our show was opening and I thought no one would attend. Or maybe 4 or 5 people drifting around in the huge room. Many of my invitees were out of town or otherwise occupied. The show opened at 7 pm; at 10 to 7 we had one guest. Looked like a lot of food and wine would be going home and we would be pretty depressed about the turnout. BUT! By 7:15 the place was packed, you could no longer hear the music for the din of visitors. The crowd (yup, I call it a crowd) was steady and we all had lots of positive comments about our work. And a few sales as well! The eee show even got a bit of TV coverage as Ben and Terry appeared on the 6 o'clock news. A great show!

Whew, now some peace and relaxation......

56 inch centers

Yesterday I spent the whole day helping Ben Darrah mount the eee show. Ben is an artist and former gallery manager with lots of experience curating and hanging art. Needless to say I learned a lot. All the art is mounted so that the center of the painting is 56 inches from the floor. So, when one stands back the visual presentation is all paintings in line, the center of each at eye level. Sound easy? Well just where is the center of the painting and where does the center of the painting end up when it is hanging, stretched across two nails? Is the floor level? If not then the 56 inch rule will need to be adjusted. And if 2 paintings are stacked the center is in the space between them. No problem!

Kingston has no public art gallery space (a horrible situation) so we are happy to have the multi purpose room in the libary but of course there are lots of problems with the walls, projection niches, screens, switches, alarms etc. There goes the nice centering of the work.

Despite the challenges I think the show looks pretty good.

Join us : Thursday evening, 7-9 pm

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Bubble and Squeak

I have now done 6 of these little mini landscapes. Each is 5"' X 7 with many layers of very wet paint applied using sponges, rags, brushes and my fingers. These are all on masonite board; those I did on canvas panels are not as effective. The canvas texture interfers with the glazing effects I am after.

I plan to exhibit them at the eee show next week. Naming them is going to be a challenge. Perhaps Bubble for the one above and Squeak for the one on the left?

A Great Week Working with Megan Hinton!

Here's a final shot of Megan Hinton's new studio which our group christened. The 5 afternoons examining abstract representational painting was time very well spent. Although the demos on colour, value etc were not new information the treatment of each was new and Megan's approach reflected a style and method that was unique. I have a new respect for black paint, charcoal, the palette knife and drawing with paint.

It is wonderful to see how other artists work. Most of the time we artists work alone. I wonder if we could be more like musicians, play and create together. We can "listen" to the music our fellow artists play.

PAAM (Provincetown Art Association and Museum) has an amazing roster of classes. It will be hard to return to Cape Cod and not consider another class with Megan.

Colour Color

Yesterday's studio lesson was supposed to focus on colour but we all got yakking and working so Megan didn't have time to do her demo.
The weather has improved and we finally walked one of the many beaches which are all very clean and serene.
The old weather beaten ball above was a beautiful piece of flotsam.
Or is it jetsam?

Lesson 3: Value

Today Megan started off by mixing 2 blues: cobalt and ultramarine. Next she created a varied palette by adjusting the value of the mixture by adding black and white to varying degrees. From there she proceeded to paint a quick value study of one of the objects in the still life collection.

After the demo I worked from a photo I took while in England, one of the woodsy canals. I like the compostion but am not yet happy with the colour and brushwork. Here it is:

Lesson 2: Shape

Today Megan started with a demonstration that focused on shape while painting with a palette knife. I too focused on shape but started with line and quickly moved to emphasize the forms of the various items (old cameras, radios, phones, cans etc.) I used only blue, yellow, orange and white. The limited number of colours unified the odd shapes. I plan to add more white and emphasize the darks as well.

Abstract representation with Megan Hinton - Lesson 1: Line

Above, an abstracted representational photo of the Cape Cod shore by water on the windshield and HM.
A brief break in the big wind and steady rain allowed for a more traditional view of the dunes:

Greetings from Cape Cod! I am here with hubby and pooch to attend a workshop on abstract representational painting with PAAM (Provincetown Art Association and Museum). Our instructor is Megan Hinton and we are working in her new studio in Wellfleet. Today's session focused on line as one of the 5 basic elements in visual art. After a brief demonstration the group began working on a abstracted still life based on objects Megan had set up to inspire us.

Here's my work so far. Starting with line is new for me, but I like it! Megan also adds line as she works, sometimes using charcoal. I am seeing changes I want to make but this one was nice and quick.

Despite the stormy weather this is a beautiful place! A couple more photos:

eee Show Coming Soon!

Seismia 8" X 10" (HM)

I've just finished writing a little description of our upcoming show. Hopefully we can get some good press and get lots of folks out. Here is our "press release"

The “eee” show is an unusual name for an unusual art show
which opens July 9th at the Wilson Room at the Kingston Public Library.
The show owes its theme to the proliferation of e descriptors
in the art world. Artists explore, examine, evolve and may
finally leave the emergent field to become known as established artists. The artists represented in the eee show will cover all these e’s and promise not to evoke the commonplace. Prepare for a highly diverse and stimulating exhibition!


Sheila Dunkinson is an emerging artist whose work reflects an intimate connection to the natural world. Organic forms are interpreted through bold use of colour, pattern and shape.

Irina Skvortsova is a multi-media artist, working in both
traditional print and painting and experimental community arts
collaborations. The eee show will feature Irina’s unique and intriguing
prints.

Hennie Marsh has been creating richly textured and abstracted landscapes pushing the potential of acrylic paint using various
mediums and tools. Her work is constantly evolving and attests to her
strong belief that consistency is highly overrated.

Ben Darrah is an established artist who portrays a playful exploration of elements in mixed media work. His choices reflect a curiosity in elevating an everyday, recognizable, common object or image to the status of scrutinized subject.

Terry Culbert is a writer and illustrator whose paintings represent daily life in Kingston and Amherst Island. His work is often whimsical and
humourous; each canvas tells a tale.

The opening reception is from 7 to 9 pm on Thursday July 9th. The show continues to July 29 during regular library hours at 130 Johnson Street.

More hot stuff

" The Way I Remember It" 16 X 20"

Another one with lots of hot colours, maybe it's the summer influence, maybe it's Fred Williams. More fun with drips, drops and very wet acrylics. I think it's ready for the show on July 9th. Maybe just a little more green....

Trio done

Here they are finished, more or less.
A lot more colour and a lot more detail now.
I worked on all three simultaneously,
trying to make sure they each had some
unique features while the palette is fairly consistent.
Iceland or Australia - take your pick!

Size matters?

These are works in progress, very small, 5 by 7 inches each. I haven't done any work this tiny before but am enjoying focusing down. Once again I'm letting the water do it's thing and I'll be adding more of "my thing" as they reach completion. Can you see the Icelandic landscape that inspired these?

Before and After

These two paintings are the same canvas. The lower one is a piece I did last winter, very soft and atmospheric, thin paint that looked like water colour. Above it is the piece reworked, much bolder. I'm not sure it is better but it has a very different feel.

I have been attacking older pieces, anything is fair game. There are some paintings that are perfect as they are, at least in my mind. But lately it is survival of the fittest. The studio is stuffed with canvases and the runts have to beef up. Mean. That's me the mean painter. Even the newset one may not survive the week.

Cooperate

The piece above is one I have been working on, getting ready for a show in July. Not sure if it is done or not, the usual dilema. Wouldn't it be great if you could just set the timer on your stove and you'd know when it was time to take it out of the oven - off the easel. Or in my case off the table. I have been working flat as I'm using very wet acrylics. At times the water controls the work and I'm trying to cooperate with the natural properties of the water. I'm learning what it will and won't do, mixed with the paint and mediums. I can encourage it to make little bubbles or drips or thin washes. I use a variety of sponges, rags, spray bottles etc. And my fingers, moving the thin wet paint or dabbing to make little spots. It sometimes surprises me how these layers change as they dry. The process is totally different than work I've done with tube paints and brushes. Stand back, wait, watch and play some more.
Click on the pic to enlarge and see the lovely effects of water play!

Opening Night for the Madonnas!

"Isis Dreams of Horus" mixed media. H. Marsh

It was a busy evening on the Kingston arts scene last night with at least 3 openings, ours at Sandra Whitton Gallery, another across the street at Aroma and another at Gallery Raymond. The snapping cold weather didn't seem deter anyone as the gallery was packed for our Black Madonnas opening. Tim out did himself with amazing "black" foods like marmite, olives, dates, blackberries etc. I contributed licorice, cookies with black sprinkles. Later dark cakes and what looked like black rice crispy squares arrived. No black drinks tho there was plenty of the red stuff! Despite all this, the art managed to hold its own. Some patrons even claimed they saw a Madonna moving.... The carefully selected music was drowned out pretty quickly by enthusiastic chatter. Here's a very little sample of the event, click on the arrow:




And a few photos:

Mounting the Black Madonna Show

On the left is one of 5 pieces I have in the Black Madonnas show. It is about 2 feet by 10 inches, mixed media. I call it "Full of Grace" a phrase I remember from an oft repeated prayer.

I spent most of yesterday helping Tim Soper (curator, he's in the photo on the right) and Sandra Whitton (gallery owner) hang the Black Madonna show. It was a good experience, Sandra has lots of expertise and seeing her in action was great. I'll be mounting a group show in July and have come to appreciate that displaying the art is an art in itself. Each piece needs to be considered in terms of lighting, neighbouring pieces, wall surface, height, and the impact of distant and close viewing. We finished up by 5pm with most of the work effectively mounted and ready for the opening on Saturday. Tim's vision is coming to fruition. Sandra has kindly let her gallery be "hijacked" for a unique show that features artists of all ages and all levels of experience.

Bushman Madonna

This is a small piece (10" X 10) with lots of texture inspired by very old pictographs by African Bushmen. It needs a little more colour variation before I am satisfied that it is done. I haven't altered the image of the woman, I think she looks strong and lovely though to western eyes her body is exaggerated. She wasn't pictured with a baby so I added the seated infant and some hints of a spirit life with the gold spots and swoosh. Not sure how this one will be received.... but she definitely IS a Black Madonna.

Dutch Madonna

This Madonna is almost done, maybe a little tweaking with the colours.

My inspiration was the statue which Mom and Dad had in the dining room. It was a replacement for one they brought from Holland which fell off its little wooden shrine and broke. This one too is from Holland and the shape and symbols are quite traditional in Dutch depictions of Mary (apart from the black).

I suspect there may not be traditional madonna figures in the upcoming show so perhaps this one will pay homage to history.
My next one will be a Bushman Madonna, African.

Black Madonna

possibly the Black Madonna of Chestochova, 6th century

Last week I met fellow artist Tim Soper at the Sandra Whitton Gallery. Tim is planning a group show exploring one of his long time interests, the Black Madonna. Here's the Slate description of his upcoming show:

Black Madonnas – a group show curated by Tim Soper. Dark statues
and paintings of a mother and child exist in hundreds all over Europe, and
especially in France. They are revered as the image of Mary and the baby Jesus.
However, their origin may go back to pre-Christian pagan times. They share a
kinship with with ancient statues of Isis and Horus, and Cybele and Attis. These
mythical figures tell a tale of a mother and her God / Son who dies and is
reborn. Over the past year, Tim Soper has been creating his own Black Madonna
sculptures. He has invited a collection of artists to create their own pieces
symbolizing their connection to, or perception of, the Black Madonna. From
literal translations, to dynamic and challenging representations, the pieces in
this show capture the evocative and mysterious nature of the Black
Madonna.

I told Tim about a Madonna I had created, a watery blue-green figure as she was inspired by an incident I witnessed by the riverside at Kingston Mills. Some kids had caught a huge salmon, very heavy, and as they dragged it along the shore it spilled what seemed to be hundreds of golden eggs. The kids were thrilled with their big catch, I was sad. Here she is, rather Byzantine, swimming with silver eggs.

I think she will be in Tim's show next month and perhaps I will make another, this time black and more like the Madonnas I remember from church. Or perhaps like the one we had in the house when I was I child.

If you have a Madonna to share Tim would like to hear from you!